FoEM: Resources
There are few good books concerning the development and practice of electronic and electro-acoustic music. Many are out of print (although all those listed below are available in University Library), and most are concerned with historical or technical developments rather than musical and aesthetic issues. The following list should always be used in conjunction with your primary resource, that is, recordings of the music itself. Most of the pieces mentioned in these books are available in the library on CD and the emphasis of your own-time work should be on concentrated and repeated listening.
Books
- Cage, J. (1937) “The Future of Music: Credo” in C. Cox & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum Int. Pub.
- Chadabe, J. (1997) Electric Sound: The Past and Promise of Electronic Music, New Jersey: Prentice-Hall (A moderately good survey of developments throughout the twentieth century, if lacking in a consideration of musical issues. Not particularly well written, but reasonably up to date)
- Cox, C. & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum Int. Publishing (A very useful collection of writings by theorists, composers and commentators of contemporary, and particularly, electronic and electroacoustic music. Worth buying)
- Emmerson, S., ed. (1986) The Language of Electroacoustic Music, London: Macmillan (A useful collection of varied writings electronic and electroacoustic music and culture)
- Griffiths, P. (1979) A Guide to Electronic Music, London: Thames and Hudson ( Somewhat out of date and not, therefore, representative of more recent developments. However, Griffiths writes very well and the book considers both historical and aesthetic issues. Out of print but in the library collection )
- Griffiths, P. (1995) Modern Music and After: Directions Since 1945, Oxford :OUP ( An updated version of the above. Again, not specific to electronic music, although containing many references to important pieces. Not always easy to read but a very useful guide to listening and further reading )
- Holmes, T.B. (1985) Electronic and Experimental Music, New York: Charles Scribner’s Sons.
- Holmes, T.B (2002) Electronic and Experimental Music: Foundations of New Music and New Listening, London: Routledge (The first edition (now out of print) is a useful and readable historical text. The new, updated edition is substantially re-written, but places too much emphasis on the work of American composers)
- Maconie, R., ed. (1989) Stockhausen on Music: Lectures and Interviews, London: Marion Boyars
- Manning, P. (2004) Electronic & Computer Music, Oxford: OUP (A detailed and thorough account of the development of electronic music. An excellent text, although one which includes a fairly large amount of technical information)
- Reich, S. (1968) “Music as a Gradual Process” in C. Cox & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum
- Russolo, L. (1913) “The Art of Noises” in C. Cox & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum
- Schafer, R.M. (1973) “The Music of the Environment”, in C. Cox & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum
- Schaeffer, P. (1966) “Acousmatics”, in C. Cox & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum
- Stockhausen, K. et al. (1996) “Stockhausen vs. the Technocrats”, C. Cox & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum
- Varèse, E. (1967) “The Liberation of Sound”, in C. Cox & Warner, D., eds. (2004) Audio Culture: Readings in Modern Music, New York: Continuum
- Wishart, T. (1996) On Sonic Art, Amsterdam: Harwood Academic Publishers
Journals
-
- Organised Sound, OUP.
- Computer Music Journal, The MIT Press.
- Leonardo Music Journal, The MIT Press.
- Contemporary Music Review, Routledge.
(Each of these journals is an important resource for issues relating to electronic music of all kinds)
Recommended Internet Resources
Great care should be taken when reading material on the Internet. Whilst many sites are a valuable source of information, there are rarely editorial restrictions in place and many sites contain out-of-date and inaccurate information. You should also be very wary of including material from Internet sites in your written work and you should familiarise yourself with proper referencing procedures and definitions of plagiarism.
120 Years of Electronic Music – Electronic Musical Instruments 1870 – 1990
www.obsolete.com/120_years/
An illustrated and comprehensive guide to electronic musical instruments.
The Electronic Music Foundation
www.emf.org
“The Electronic Music Foundation is a not-for-profit organisation dedicated to increasing public understanding of the role that electronic music, in its myriad forms and technologies, plays in our world.” A useful site allowing access to a range of other sources of information. Also see Arts Electric – www.arts-electric.org
CDe Music
www.cdemusic.org
The retail site of The Electronic Music Foundation. Many interesting CDs are available from CDe Music.
Institut de Recherche et Coordination Acoustique/Musique (IRCAM)
www.ircam.fr/index-e.html?L=1
One of the principal European centres for electronic and electro-acoustic music development. The site is in French and English.
Sonic Arts Network
www.sonicartsnetwork.org
The UK body representing and supporting a wide range of events and initiatives concerned with the use of technology in music making. Worth becoming a member.
Electroacoustic.org
www.electroacoustic.org
“Electroacoustic.org aims to provide professional information in the field of electro-acoustic music and sonic arts.”
Norman, K., 2004. ‘The same trail twice: Talking Rain with Hildegard Westerkamp’,
www.novamara.com/soundingart/online/chapter4.pdf
Lansky, P., nd. ‘My Radiohead Adventure’
www.music.princeton.edu/paul/radiohead.ml.html
The World Soundscape Project
www.sfu.ca/~truax/wsp.html
Chris Watson hompage.
www.chriswatson.net
Recommended Listening
These represent your primary resource and you should listen to as many works as you can.
Repeated and concentrated listening is essential.
Alvarez, Javier
CD – Papalotl
Aphex Twin
CD – Come to Daddy
Barron, Louis and Bebe
The Forbidden Planet
Berio, Luciano
Thema – Omaggio a Joyce
Cage, John
Fontana Mix
Chowning, John
Stria, Turenas, Phone, Sabelith
d’Escriván, Julio
Sin Ti por el Alma Adentro,
Salto Mortal, Noronquí,
Supermoderno1.0
Harrison, Jonty
CD - Klang
CD – Articles indéfinis
CD – Évidence matérielle
Harvey, Jonathan
Mortuos Plango, Vivos Voco
Tombeau de Messiaen
Kraftwerk
CD – Computer World
CD – Man Machine
Lansky, Paul
Idle Chatter
Mild und Leise (not in Library)
Ligeti, György
Artikulation [with listening score]
Lucier, Alvin
I am Sitting in a Room
McNabb, Michael
Dreamsong
Parmegiani, Bernard
De Natura Sonorum I-XXII,
CD – Violostries, Dedans-Dehors
Pour en finir avec le pouvoir d’Orphée,
Rouge-mort:thanatos, Exercisme 3,
le Présent composé
Reich, Steve
Come Out
Risset, Jean-Claude
Inharmonique
Sud
Dialogues
Mutations
Schaeffer, Pierre
CD - Pierre Schaeffer: Musical Works
Smalley, Denis
CD – Impacts intérieurs
CD – Sources/scènes
Inoue, Tetsu & Stone, Carl.
CD – Pict.soul
Stockhausen, Karlheinz
Gesang der Jünglinge
Kontakte [2 versions available]
Hymnen
Studies I and II
Subotnick, Morton
Touch
Jacob’s Room
Tudor, David
Neural Synthesis
Varèse, Edgard
Déserts
Poème électronique
Viñao, Alejandro
Triple Concerto, Son Entero
Toccata del Mago [CMC 11]
Wishart, Trevor
Vox 5
Red Bird [with separate 'score']
Tongues of Fire
Xenakis, Iannis
Concert pH II
La Légende d’Eer
Various
The Art of the Theremin
Electronic Music Pioneers
Electro Acoustic Music Classics
Digital Soundscapes
Elektronische Musik
Acousmatrix 7
Cultures électroniques
– Bourges 2001
Spike – works from BEAST
Computer Music Currents [13 volumes]
Sonic Arts Networks 2004 CDs.
Leonardo Music Journal CDs
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